Cushions and More

I have always wanted lots of cushions in the living room. And I wanted the cushions made with invisible zippers. Now I have the Bernina invisible zipper foot and lots of cotton-linen medium weight prints. Hence no more procrastination!

In the past two weeks or so I made 13 cushions! And more are under construction!

That visible line of zigzag stitches BUGGGGGs me!

This is the first pair of cushions made. The fabric is Rifle Paper Co.'s “Les Fleurs” collection in Rosa from Cotton and Steel, a beautiful medium weight cotton-linen blend. I love its chic, Bohemian, unconventionally vintage floral look! It's more expensive than typical quilting cotton, so I purchased only a meter from our local fabric store, the "Workroom". I had just enough fabric to make two 18" cushions! At that time I was still learning and experimenting with invisible zipper installation. To make the zipper stop spot stronger, I zigzagged each end but displeased with the "visible" outcome.

Improve my technique...

Now it's much better!

On my next pair of cushion construction, the technique was improved that the zigzag stitches were only sewn on the zipper itself -- a much better result!

Matching table runner

Also purchased from the Workroom, this print by Lecien is from a Yoko Seito collection called “Etoffe Imprevue”. Again I had just a meter of fabrics. With careful cutting, and using a solid color linen fabric for the backs, I was able to make two 20" cushions and a short table runner. 

After four cushions, my love for cushion making exploded, so I went to IKEA and Chapters-Indigo to purchase 12 more pillow inserts!!! Looks what I have accomplished! The little 16" cushion is for my Eames shell chair, with fabric purchased from Nunoya in Barcelona this October. The yellow-linen cushion cover fabric is also from Nunoya. Both are by Echino (Etsuko Furuya the “Hill” print and the “ni-co Sign” print, respectively). The two light blue, 20" cushions covers are made with fabric from Suzuko Koseki the “Writers Series” collection by Yuwa.

Some of the prints are light-to-medium weight, which I interfaced with either cotton flannel or cotton twill. All raw edges are overlocked.  Since these are more expensive fabrics, for the back side, I used mostly cotton duck canvas from IKEA. 

The last four cushions are for my parent's house:

Dwell Studio the Vintage Blossom Sluc print in Citrine, 20" cushions

Liberty home-dec weight cotton sateen, purchased in Swany, Japan last year, 18" cushions

And finally, an apron for MIL. I love this print purchased in Nippori fabric town in Tokyo. I had just enough fabric for one apron. It's been washed several times but still holds up its shape pretty well. Definitively better quality than what I can find here in Fabricland.  

Two Knitting Projects

Recently I completed two knitting projects. The first is a baby booties and hat gift set for one of my coworkers. Her baby will be due next month! I based the booties on a Debbie Bliss design called Beaded Moccasins featured in her Step-by-Step Knitting Workbook but substituted the beads and color knitting with simple seed stitch diamond motifs.

Ahh the booties look so cute! I blocked them by stuffing with leftover batting “rolls”. The blocked shape is so nice! It’s definitely not the case when they are just off the needles. Blocking made the whole difference! And, a little hat (my own improvisation) makes the set even cuter! Here is how I made the hat with Debbie Bliss Baby Cashmerino:

Cast on 84 stitches with 2.75mm needles. Work on gather stitch for 10 rounds. Change to 3.25mm needles and work in stocking stitch for 3 inches. Divide stitches in 7 parts, and decrease every other round until 4 stitches left. Knit a 4 inch tail.

I think the set fits a 0-3 months old.

Next is an almost UFO – a blouse for myself that I started maybe 7 years ago. The yarn is Jaeger Trinity (Jaeger disappeared for almost 10 years I guess, but they used to produce nice yarns and elegant patterns by the the Rowan design team). Trinity has a nice fiber content: cotton, silk and viscose; but the yarn is paper-like, has no elasticity and breaks easily. Not a great pleasure to knit with but hopefully it’s good for summer wear.

The pattern is from a Japanese knitting magazine called World Knitting in the Spring/Summer 2006 issue (all decade old stuffs =P). I particularly like the front panels and the crochet border. But somehow the yarn I chose does not have very good stitch definition.  

Nevertheless getting rid of a UFO makes me feel so good. 

August Made #2 - A Quilt for My Sofa

This summer we finally got a sofa after years without one. It's the Charles from Huppe that we got during the Bay Days Sale (huge discount!). I made a quilt to put on top of it to serve as a slipcover and blanket at the same time. 

Since this this a utility quilt that it must be "high-performance" and durable to withstand our daily wear and tear. Also since this is a quilt displaying on the living room it must not be too ugly. In the end I came up with this more modern looking piece measured 84.5"X66". It's a relatively quick made as the blocks are quite large (16"X16") and simple (mostly rectangles, some frying-geese). The most time-consuming part happened to be the borders - cutting and joining 2" strips together is tedious and boring. But I think the time spent is totally worth it as the borders really make the quilt more appealing. 

My trick of making the quilt "tough" is quilting all-over the less that 2 inches apart. Only simple and basic elements: loops, paisley, swirls and straight lines were used. To save time, I quilted with large scale motifs. My Q20, with it's large harp space, made it so much easier to create big motifs without frequent stops and repositioning. Sadly my Q20 still misbehaved sometimes that it annoyed me with several synchronization error messages while quilting this quilt. I am pretty sure that there is not synchronization issue as the stitches are beautiful and tension is perfect. Still need to make up my mind if I would dismantle the machine again and ask my dealer to replace the computer parts that control synchronization. 

I also practiced ruler work on this project. I love these extremely straight straight lines, which is impossible when free motion without a ruler. Love it!

40 weight polyester/viscose threads were used for FMQ. I used several types, including Isocord, Hemmingworth, and Sulky (simply for the purpose of using up odds and ends threads). 

Batting is Quilters Dream Cotton Select. I have been pairing with Quilters Dream Cotton Request (thinner batting) with wool or silk batting for my other projects but this is the first time that I use the Select line (slightly thicker), one layer only. I love the result. It is not as stiff as Warm and Natural, soft, drape beautifully and shrunk beautifully after wash and dry. It does not really have any loft, making it so much easier to quilt, especially when feeding through my sewing machine for stitching-in the-ditch with a walking foot along the sashing. Would definitely use this batting again for future projects!

If I make this quilt again I would opt for more neutral colors instead of bright tones. I tend to like a clean and neutral looking living area. Yes this is a good excuse to start another project!

August Made #1 - Mini Christmas Panel Quilts

I picked up these Gingiber Merrily panels (along with a bunch of fatquarters and yardages) at the Workroom during their sale. Their plain background is perfect for free motion quilting. Spent a few days and I got three gorgeous mini quilts to decorate my house. 

For these quilts I used only one layer of Hobbs Heirloom batting, without a thin layer of cotton batting (typically Quilter's Dream Angel Request) functioned like a backing, like what I have done in my other mini quilts. It's easier to quilt, but I think an extra layer of cotton batting does improve the dimensional texture and enhance the stitching details. I should not make shortcuts next time. 

I quilted with Superior Thread Bottom Line purchase a few years ago. I found it not as smooth as WonderFil DecoBob. Bottom Line is a matte thread, blending into the fabric quite well but lacking the sheen of DecoBob. I think it can be a good choice for modern, neutral quilts, but the quilting experience is not as enjoyable as matte threads generally have more friction when free motion quilting. I also found when a thread blends so well into the fabric, it can be very difficult to see the stitches while quilting!

Just filling in the background with various types of motifs is lots of fun! No markings and no really planning ahead, I simply enjoyed that zen of free motion. It's relaxing and calming. 

I love these panels and they are already on the wall... Christmas is coming... eventually! 

The Ultimate Travel Bag

Annie's Ultimate Travel Bag class is one of my favorites on Crafsty. To make my own, I purchased a finishing kit from her site (including the base stabilizer) and ordered Soft and Stable foam from Amazon. 

Face fabric is Northcott Fabrics the Passport line, coordinated with Daiwabo Vintage Dry Goods-Antique Dry Notions. Not a huge fan of the Passport line (I found the prints too busy for quilts) and I love the coordinating fabric so much that I orders 3 yrs from the Workroom when it's on sale. There is 1.5 yrs left for me to make another one! Lining fabric is from the Downton Abbey collection by Andover Fabrics. I found Andover's quilting cotton is slightly thicker and very high quality, love it!

I followed Annie's pattern and instructions meticulously from start to finish. The only thing I ended up not putting on is the strap from suitcase because I don't think I will use the bag that way and rather have a clean looking back panel. 

To make this bag, 4.5 yds of fabrics were used! Unbelievable! But it's so nice to consume my old stash... and make room for new fabrics!

I did the quilting on my Q20. It's a simple swirl design, quite large in scale to conform with Annie's 1 inch spacing quilting suggestion. 

I learned so much from this project: sewing buttons with machine, binding finishes, applying zippers, and so many little tricks and tips. It's so much fun! Though I much admit that the last step of binding to finish the interior is difficult, partly due to its large size. In the end, I found if I baste the binding strip to the side panel or the front/back panel with a scant 1/4" seam, sew the panels together with true 1/4" seam and then finish the binding, it's easier than sewing the panels together and then finish with binding.

The only unfortunate result is that my handles are two inches too short from the pattern suggestion (I trimmed too much selvages I guess). Lesson learned. I will double check my dimensions next time. 

Since there are still some Soft and Stable left, I pulled out a very old pattern (got it in 2008, the very original Weekender Bag by Amy Butler!) from my storage bin, and will do my second attempt of bag making. I will modify the instructions and sew it in Annie's way with Soft and Stable. Stay tuned!

The Arkansas Crossroads Quilt in Liberty Tana Lawn

I felt so good to have two quilts completed last month. Here is the Arkansas Crossroads Quilt in Liberty Tana Lawn (78" x 78"). I started this quilt last summer. It's a quick to make project but I was not able to work on it continuously, so it took a long time to finish. Luckily towards the end of this project I got my Q20, which definitely speed up the process. I practiced quilting straight stitches with a ruler on my machine. I thought it was easy, but it wasn't until the 3rd or 4th border that I finally got the hang of it and not steering off my markings. Hence, the borders are kind of terrible. Fortunately, once the quilt was washed and shrunk, the imperfections diminished a lot and looked much better. 

This is quite a memorable piece as the Liberty prints were purchased while I was on vacation in London (2014) and Tokyo (2016). Since Tana Lawn is more refined and thinner than regular quilting cotton, I chose white cotton sateen (from Fabricland) as background fabric and light blue Swiss cotton batiste for borders. The cotton batiste is delicate. I think I have to use this quilt with care...

I reserved this quilt for myself, and used luxuries Hobbs Tuscany Silk + Quilter's Dream Angel Request Cotton for batting (for warmth and softness). Now I have three quilts adorning my bed and keeping me warm: the Pheasant Feathers quilt, the Dresden Plates quilt, and this one. 

Quilting was done with Aurifil cotton (50 weight) for the body and Hemingworth embroidery polyester thread (40 weight) for the border. By the way, I first tried Hemingworth in June (my Bernina Q20 dealer carries it) and felt in love. It's so silky and smooth, producing beautiful stitches on my machine when pairing with a size 100 needle.